Author(s)

Chelsea Kern

Graduation Year

2013

Date of Thesis Acceptance

Spring 5-1-2013

Major Department or Program

English

Advisor(s)

Gaurav Majumdar

Abstract

This thesis examines Salman Rushdie’s Midnight’s Children, Graham Swift’s Waterland, and Jeanette Winterson’s Sexing the Cherry in order to discuss how these texts use magical realism to affect our perception and understanding of history, not only in reference to specific periods of history, but also to historiographic methods used to represent that history. Using Henri Lefebvre’s work on the nature of space, the thesis argues that magical realist texts present narratives that deviate from normative notions of spaces in which well-known historical events have taken place, thus destabilizing the narratives that constitute the history and reality of those places. Instead of working within established rules of spatiality, magical realist texts champion a broader historiography that includes the suppressed narratives of excluded spaces.

Page Count

99

Subject Headings

Narratives, Salman Rushdie -- Midnight’s Children -- Criticism and interpretation, Graham Swift (1949- ) -- Waterland -- Criticism and interpretation, Jeanette Winterson (1959- ) -- Sexing the Cherry -- Criticism and interpretation, Magic realism (Literature), Historiography -- History, Whitman College 2013 -- Dissertation collection -- English Department

Permanent URL

http://hdl.handle.net/10349/1220

Document Type

Public Accessible Thesis

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