Date of Thesis Acceptance
Major Department or Program
The sacred music of Giuseppe Verdi remains one of the least appreciated corners of his output; as a result, its significance for the composer has been largely unexplored. Considering that Verdi was both agnostic and anti-clerical, it is surprising to observe a repeated return to sacred and quasi-sacred texts at the end of career. Looking at the political and cultural identity crisis following the unification of Italy, I interpret the homage to figures of national significance displayed in Verdi’s sacred compositions as examples of cultural nationalism affirming the creation of a unified Italy.
Nationalism, Music -- 19th century, Giuseppe (1813-1901), Composers -- Italy, Risorgimento, Social movements -- Italy, Arts and revolutions, Operas -- Interpretation, Expression in art, Whitman College -- Dissertation collection 2011 -- Music Department : Music History
Whitman Community Accessible Thesis
If you have questions about permitted uses of this content, please contact the ARMINDA administrator
In Copyright. URI: http://rightsstatements.org/vocab/InC/1.0/
This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).